| orig vs xMMx | original recording, xMMx revision |
|---|
audience > unknown
ANA(x) > WAV [48kHz/24bit] > WAV [44.1kHz/16bit] > FLAC [Level 8]
Nakamichi CR-7A > PreSonus FireStudio Project > Adobe Audition 3.0 > CD Wave 1.98 > Trader’s Little Helper 2.7.0
It is possible that this is the same recording as the other offered at the Basement, but is at the very least a different generational source.
Mike Ziegler / BFOQ
[xMMx revisions have been treated to provide the smoothest listening experience. Please keep all notes with these revisions and do not distribute them in place of the original recordings.]
Additional editing in Nero WaveEditor 15.0.6000…
Slight EQ boost at 3.5K to clarify Bob 1.
1dB global volume boost.
Checked pitch w/AP Tuner 3.08. Program played approximately 20c below correct pitch throughout–corrected.
Slight trim at very beginning of track 1; mute/fades in/out applied.
Copied/pasted from adjacent section to repair 3-second cut at :23 into “Pink Pussycat.”
Removed slightly under 2 seconds in Smart Patrol/Mr. DNA to repair cut at 6:13.
Applied cross fade in crowd noise between Smart Patrol/Mr. DNA and Come Back Jonee to smooth transition.
Reduced mic bump at :14 into Gut Feeling/(Slap Your Mammy); removed mic bump at 4:12 in same.
Repaired left channel cut at 1:32 in In Heaven Everything Is Fine.
Slight trim at end of program; mute/fade applied.
Re-indexed.
TLH for sector boundary alignment.
$0.00
